…better far write twaddle or anything, anything than nothing at all.”
-- Katherine Mansfield, Journal, 1922
“Technique alone is never enough. You have to have passion. Technique alone is just an embroidered potboiler.”
-- Raymond Chandler, Notebooks, 1977
“All writing is garbage. People who come out of nowhere to try to put into words any part of what goes on in their minds are pigs.”
-- Antonin Artaud, Selected Writings, 1976
“Writing is a cop-out. An excuse to live perpetually in fantasy land, where you can create, direct and watch the products of your own head. Very selfish.”
-- Monica Dickens, 1976
Dear Readers:
Two of you brought my attention to the fact that Delwin Biaggio didn’t dismember the body. While the person you may be talking about didn't inflict this final indignity, not so in the case of Delwin Biaggio's fictive persona. You see, my dear friend Les, there is no such person as Biaggio. Delwin is a fictitious character, as is Nancy in the dissertation story. Whatever I, the author, have them do is the “truth” of the story, but it has no obligation to be faithful to any non-fictional history or reality.
The dismemberment angle, while it may seem unpleasant to some, is simply a story device, as in a Stephen King tale, to engage the reader. While some don’t relish, or welcome this kind of engagement, there are others, like R.J., for instance, that like gore, horror, and other weirdness, like H. P. Lovecraft, Charles Bukowski, Thomas Harris, Antonin Artaud, or Patricia Cornwell.
To the second anonymous commentator, aside from the allowance to take poetic license with a made-up character, I’m not clear on what I don’t understand because "I’m a man," his illness? Will he always be ill? Can he get better, see the light? Is he, or anyone, beyond redemption? Should being a woman, or a man, preclude one from striving to transcend gender, and even if this is an impossibility shouldn’t we pretend to a higher awareness? Should I assume there are things you “can’t notice” because you’re (not your) a woman?
As Les commented, it is a sad story, murder most foul; but as close as they may seem, that’s not the story I’m telling, and it’s not a story that most of the 10,198 readers who have hit this blog would know.
I know my stories, like the Nancy tale, are sometimes sexist, sensational, and gruesome, and I’m not sure why. I suppose I could blame my baser preoccupations on environment, or upbringing, but I think that’s a cop out. We all have our cross to bear, and how we carry that weight, no matter what that historical baggage and dysfunctional freight might be, determines how we are thought of, as well as why we are loved and who loves us.
I think that a person, namely me, can try to be kind, sensitive, generous, and understanding, in spite of sometimes backsliding into bastard mode. For me, personal integrity is an existential struggle, a constant effort to be a good person in a world of moral imperfection, a world that only those rare few more saintly than we/I, can rise above.
As for the material on this blog, it’s all over the place. Why, because I’m trying to make it interesting: sometimes titillating, sometimes informational, sometimes profane, sometimes sad, sometimes outrageous. I often envy those who couldn’t say the things I do, they who would never risk offending others. In another life I would want to be the one described as not having a “bad bone in his body,” one that never lies, and one that everyone likes and never generates a discouraging word or adverse comment, but alas, that’s not me.
Sincerely – Ydnar Reisset
PS: My prodigal daughter is moving back in with me tomorrow.
April 13, 2008
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2 comments:
Hi Randy--
Wow, you have been posting so much material lately that it has been a struggle to keep up, what with my busy life and all, but I think I have read most of it.
Regarding the content of your blog: it is pretty eclectic, which keeps things interesting-- one never knows quite what to expect when visiting your blog. My art blog also features a pretty wide range of material-- keep 'em guessing, that's what I say. BTW, I have some really cool/weird stuff coming up, so stay tuned.
Thanks a lot for the props the other day; much appreciated.
RJ
Randy,
Please. I have the utmost respect for your writing and for your prerogative to take poetic license wherever you please, but your statement that "Delwin Biaggio is a fictitious character" is a major stretch...either that or it is the most unimaginative fictitious character invented since, apart from the pseudonym, the wrong year for the Mercedes and the dismemberment "enhancement", Delwin is 100% the individual described in this article:
Homicidal High Tech Workers
To put it in literary terms, he is no more fictitious than Sal Paradise, Dean Moriarty and the rest in Jack Kerouac's "On the Road". In these cases, the names were changed to eliminate traces of the possibility of libel. As for the rest of the "story" in your blog about the band and the music, it was all true. I admit, I'm no expert, but I think it would be hard for a reader to classify what was written as a work of fiction.
Enough about that. I thought the second Anonymous comment was directed at me. You, Randy, clearly pointed out that Delwin had serious misogynistic issues. My comment, however, in trying to correct what I perceived as an inaccuracy (the dismemberment), came off sounding like a defense of the individual. Anonymous pointed out that I didn't see the darker side of Delwin because I was a man. Delwin obviously behaved differently toward woman. Believe me, Anonymous, I am not defending him. I apologize to Anonymous if it sounded that way. It was a tragic development, but something I certainly could not foresee (...at least as a man) twenty years in advance when we played in a band together.
In fact, I’ve never recognized a murderer, man or woman, in advance. I went to high school and was in numerous classes with the woman in this story (you probably remember the news articles about the “pizza collar bomber”),
Here:
America's Most Wanted
And here:
Erie Times-News
Anyway, the whole point of sending you the CD was to trigger our memories regarding the music we made together in the band Incognito, most of the time with drummers other than Delwin, not to launch into a gruesome discussion about murder and dismemberment. But, as in the case of Kerouac, you never exactly know where the road is going to take you.
As for gore, I do like gore...Al Gore.
- Les
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